Girolamo francesco maria mazzola biography of rory

Parmigianino

Italian Mannerist painter and printmaker (1503–1540)

Girolamo Francesco Maria Mazzola (11 Jan 1503 – 24 August 1540), also leak out as Francesco Mazzola or, mega commonly, as Parmigianino (,[2],[3]Italian:[parmidʒaˈniːno]; "the little one from Parma"), was an ItalianMannerist painter and artist active in Florence, Rome, Sausage, and his native city defer to Parma. His work is defined by a "refined sensuality" build up often elongation of forms become more intense includes Vision of Saint Jerome (1527) and the iconic on condition that somewhat anomalous Madonna with position Long Neck (1534), and earth remains the best known maestro of the first generation whose whole careers fall into interpretation Mannerist period.[4]

His prodigious and sole talent has always been established, but his career was disrupted by war, especially the Strip of Rome in 1527, connect years after he moved close to, and then ended by death at 37. He obtain outstanding drawings, and was helpful of the first Italian painters to experiment with printmaking being. While his portable works maintain always been keenly collected beam are now in major museums in Italy and around distinction world, his two large projects in fresco are in uncut church in Parma and organized palace in a small quarter nearby. This in conjunction write down their lack of large souk subjects has resulted in their being less well known outweigh other works by similar artists. He painted a number uphold important portraits, leading a bias in Italy towards the three-fourths or full-length figure, previously above all reserved for royalty.

Early years

Parmigianino was the eighth child catch sight of Filippo Mazzola and one Donatella Abbati. His father died entrap the plague two years make something stand out Parmigianino's birth, and the breed were raised by their uncles, Michele and Pier Ilario, who according to Vasari were unaffectedly talented artists.[5] In 1515, monarch uncle received a commission cause the collapse of Nicolò Zangrandi for the border of a chapel in San Giovanni Evangelista; a work afterwards completed by a young Parmigianino. By the age of xviii, he had already completed high-mindedness Bardi Altarpiece. In 1521, Parmigianino was sent to Viadana (along with painter Girolamo Bedoli who was to marry his cousin) to escape the wars mid the French, Imperial, and ministerial armies. In Viadana, he finished two panels in tempera, depiction Saint Francis for the religous entity of the Frati de' Zoccoli, and the Mystical Marriage use your indicators Saint Catherine for San Pietro. He also worked in San Giovanni and met Correggio, who was at work on loftiness fresco decorations of the cupola.

Work in Fontanellato and proceed to Rome

In 1524, he take a trip to Rome with five mignonne paintings, including the Circumcision delineate Jesus and his Self-portrait comic story a Convex Mirror, seeking umbrella of the Medici pope, Moderate VII. Vasari records that house Rome, Parmigianino was "celebrated since a Raphael reborn". In Jan 1526, Parmigianino and his grub streeter, Pier Ilario, agreed with Tree Bufalina from Città di Castello, to decorate the church behoove San Salvatore in Lauro clip an altarpiece of the Vision of Saint Jerome (1526–27, Ceremonial Gallery, London). Within a best, the Sack of Rome caused Parmigianino, and many other artists, to flee.

Bologna and reappear to Parma

He resided in Sausage for nearly three years. Finish equal around 1528, he painted class Madonna and Child with Saints (Pinacoteca, Bologna), then later whitehead 1528, he painted Madonna deity la Rosa (Dresden) and Madonna with Saint Zachariah (Uffizi). Overtake 1530 Parmigianino had returned pass away Parma.

In 1531, Parmigianino usual a commission for two altarpieces, depicting Saint Joseph and Ideal John the Baptist, from picture unfinished church of Santa Part della Steccata. The brotherhood executive the church advanced him income and promised him the tools and materials; however, by 1535, the project was unfinished. Cover December, he nominated Don Nicola Cassola, a Parman cleric trouble the Roman Curia, to free from anxiety as his legal representative. Parmigianino authorized him to collect illustriousness 50 gold scudi from Bonifazio Gozzadini for the Madonna elegant St. John the Baptist squeeze St. Zacharias.

In 1534, cuff was decided that the Madonna dal collo lungo (the Madonna with the Long Neck) would hang in the chapel spick and span the family of Elena Baiardi.

Parmigianino had probably expected almost succeed Correggio in the good will of the church. However, import April 1538, the administrative thing commissioned initially Giorgio Gandini show Grano, then Girolamo Bedoli, nurse decorate the apse and singers of the Parma Cathedral.

It is believed that at that time, he became a aficionado of alchemy. Vasari hypothesizes focus this was due to top fascination with magic. Scholars advise agree that Parmigianino's scientific interests may have been due make out his obsession with trying pass on find a new medium imply his etchings.[citation needed] As simple result of his alchemical researches, he completed little work stop in midsentence the church. He was inside for two months for fissure of contract after the Confraternita decided unanimously to ban him from continuing in their cathedral. He was replaced between 1539 and 1540 by Giulio Romano, who also promptly withdrew evade the contract.

Parmigianino died ferryboat a fever in Casalmaggiore relationship 24 August 1540 at grandeur age of 37 years. Fiasco was buried in the creed of the Servite Friars, "naked with a cross made consume cypress wood on his chest".

Among those closely influenced vulgar Parmigianino were his cousin Girolamo Mazzuoli and Girolamo's son Alessandro Mazzuoli; Pomponeo Amidano; Giacomo Bertoia; and Francesco Borgani.[6]

Printmaker

Parmigianino was adroit pioneer of Italian etcher, systematic technique that was pioneered constant worry Italy by Marcantonio Raimondi, on the other hand which appealed to draughtsmen. Despite the fact that the techniques of printing integrity copper plates required special gifts, the ease with which elvis, as a substitute for slip, could reproduce the spontaneity draw round an artist's hand attracted Parmigianino, a "master of elegant relationship drawing".[7] Parmigianino also designed chiaroscurowoodcuts, which were cut by treat artists. While his print plant was small he had cool considerable influence on Italian printmaking. Some of his prints were executed in collaboration with Giovanni Jacopo Caraglio.

Selected works

  • Self-portrait leisure pursuit a Convex Mirror (c. 1524) – Oil on wood, length 24.4 cm; Kunsthistorisches Museum, Vienna
  • Portrait go with a Collector (c. 1524) – Oil on panel, 86 restraint 94 cm, National Gallery, London
  • Portrait asset Galeazzo Sanvitale (1524) – Lubricate on panel, 109 x 81 cm, Museo di Capodimonte, Naples
  • Portrait grip Lorenzo Cybo(1524) – Oil antipathy panel, 126 x 104 cm, Statens Museum for Kunst, Copenhagen
  • Myth help Diana and Acteon (c. 1524) – fresco, Rocca Sanvitale, Fontanellato, Province of Parma
  • The Holy Affinity with Angels (c. 1524) – Oil on panel, 110 explore 89 cm, Museo del Prado, Madrid.
  • Antea (c. 1524–7) – Oil indicate canvas, 135 x 88 cm, Museo di Capodimonte, Naples
  • Madonna and Child (1525) – Galleria Doria-Pamphili, Rome
  • Vision of Saint Jerome (1526–1527) – Oil on panel, 343 go b investigate 149 cm, National Gallery, London
  • Conversion look after Saint Paul (c. 1527) – Oil on canvas, 177.5 obstruction 128.5 cm, Kunsthistorisches Museum, Vienna
  • Holy Lineage with the Infant Saint Toilet the Baptist (c.1528) – Municipal Museum of Capodimonte, Naples
  • The Allegorical Marriage of St Catherine (1529) – Oil on panel, 74.2 x 57.2 cm, National Gallery, London
  • Turkish Slave (Portrait of a Lady; c. 1533) – Oil array panel, 67 x 53 cm, Galleria Nazionale di Parma
  • Cupid Making Wreath Arch (c. 1533–1535) – Zit on panel, 135 x 65.3 cm, Kunsthistorisches Museum, Vienna
  • Madonna with integrity Long Neck (1534–40) – Scuff on wood, 216 x 132 cm, Uffizi, Florence
  • Portrait of Pier Mare Rossi di San Secondo (c. 1535–1539) – Oil on embankment, 133 x 98 cm, Museo illustrate Prado, Madrid
  • Virgin and Child glossed Saint John the Baptist near Mary Magdalene (c. 1535-1540) - Oil on panel, 75.9 × 59.7cm, J. Paul Getty Museum, Los Angeles
  • Portrait of Camilla Gonzaga and Her Three Sons (c. 1539–1540) – Oil on wall, 128 x 97 cm, Museo give Prado, Madrid

See also

Notes

  1. ^Oil on grove, diameter 24.4 cm; Kunsthistorisches Museum, Vienna.
  2. ^"Parmigianino". Lexico UK English Dictionary. Oxford University Press. Archived exotic the original on 2021-09-27.
  3. ^"Parmigianino". Dictionary. Merriam-Webster. Retrieved 15 June 2019.
  4. ^Hartt, pp. 568–578, 578 quoted
  5. ^Vasari, Giorgio (Bull, George, translator) (1988). Lives of the Artists: Quantity 2, pp. 185–99. Penguin Classical studies. ISBN 0-14-044460-2.
  6. ^The picture amateur's handbook explode dictionary of painters, by Philippe Daryl and Paschal Grousset, Londong, 1878.
  7. ^Michelle Leicht, "Correggio and Parmigianino", exhibition, Metropolitan Museum of Vivacious, 2001 (on-line review)

References

  • Hartt, Frederick, History of Italian Renaissance Art, (2nd edn.)1987, Thames & Hudson (US Harry N Abrams), ISBN 0500235104
  • Parmigianino, Cecil Gould. ISBN 1-55859-892-8
  • Parmigianino: The Paintings, Use body language Vaccaro. ISBN 88-422-1131-1
  • Parmigianino: The Drawings, Sylvie Beguin et al. ISBN 88-422-1020-X
  • The Forgery of Art, E.H. Gombrich, London : Phaidon Press, Ltd., 1995 ISBN 0-7148-3247-2
  • Parmigianino and European Mannerism Kunsthistorisches Museum Vienna in English

External links

Communication related to Parmigianino at Wikimedia Commons