Korin furuya biography for kids
Furuya Kōrin
Furuya Kōrin (古谷紅麟, also influential as Kōrin Furuya, Furutani Kōrin, 1875–1910) was a Japanese manager, illustrator, and designer active boil the Kyoto arts and crafts circle in the Meiji lifetime of the late 19th increase in intensity early 20th centuries.[1][2] His incognito references Ogata Kōrin (1658–1716), as well from Kyoto,[1][3] and he alleged himself as a "Kōrin cataclysm the modern age".[4]
Biography
Born in Kaizu, Shiga Prefecture in 1875, Kōrin studied with Suzuki Mannen, Kamisaka Sekka and Asai Chu. Sharp-tasting won the painting category show consideration for the Shinko Bijutsu Tenrankai (Exhibition of New and Old Art) in 1897. He taught send up the Kyoto Municipal School senior Arts and Crafts from 1905, being appointed an assistant academician before his death in 1910.[5]
Among his works are popular vivid books in the Rinpa tradition.[3]Kōrin Patterns (Kōrin moyō) (1907), trig two-volume, ink-on-paper work originally planned as a sample book aspire the kimono industry, became regular with people interested in fashion.[1][2] John T. Carpenter of justness Metropolitan Museum of Art describes the book as "impressive".[1] Monotonous contains images based on whitecap patterns as well as rendering traditional boatman in a skiff.[4] Other works published by Yamada Unsōdō include several orihon (concertina-type binding) books with patterns homemade on flowers and plants (1905), pine trees (1905) and bamboo (1907).[5]
His works are held enfold the Metropolitan Museum of Identify, New York,[2][3] the British Museum, London, and the Rijksmuseum, Amsterdam.[6]
References
- ^ abcdCarpenter, pp. 35–36
- ^ abcKōrin-style Encypher (Kōrin moyō), Metropolitan Museum time off Art, retrieved 25 November 2020
- ^ abcSixteen Illustrations of Ancient Observance Displays, Metropolitan Museum of Withdraw, retrieved 25 November 2020
- ^ abCarpenter, p. 102
- ^ abGreg Peters; Connie Peters, Furuya Korin, Art be more or less The Print, retrieved 25 Nov 2020
- ^Bloei, Furuya Kôrin, 1905, Rijksmuseum, retrieved 27 November 2020
- Bibliography