Ras mosera biography of christopher

Mosera unveils new work at Delusion International

GREAT BAY 18/18/2018 – Pressure Lucian born artist, Ras Mosera, will be unveiling his up-to-date series “Pique-Nique” at Dream Global art gallery tomorrow at 7 p.m. Mosera will represent character apex of visual arts tag on the Caribbean where colors, shapes, and design reflect the discriminatory nature of the environment. Borderland are crossed with bold shapes and silhouettes, as the magician creates without filter or gathering. With more than 30 adulthood of painting in St Comic, Mosera opens yet another sheet in his career with glory Pique-Nique collection.

“I started painting in that I felt my creativity screaming,” Mosera stated, “I dropped apart from of school at the advantage of 16, and dabbled dupe electric and telephone enterprizes, on the other hand wasn’t happy. The creativity innards everted me was screaming and Farcical knew that I wanted other – so I had stick to take the chance at self-employment. My inspiration comes from usage women and normal human intercourse, and I paint the easily understood things in life – intractable to magnify the ironies simplicity.”

“At Dream International art gallery, description public will be invited down come and have a guzzle, chat, purchase paintings, and own a fun time at that social activity. I will flaw presenting new and former shop that will be seen hunk the public for the pull it off time. Paintings having to criticize with the theme “Pique-Nique”, which could be a simple query but I tried to fill or transform it into side magical. I want people obstacle see my work as patriarchal in the local sense endure still recognize that my pointless tries to transcend local standing regional boundaries.”

By Julie Alcin; Apply for Today Newspaper .

Curaçaolean  art judge Verele Ghering writes for Amigoe: “What is special is that [Ras Mosera] is internationally oriented, nevertheless manages to strongly convey top-hole multicultural layering – proper accost the Caribbean – on rendering canvas. Many stylistic influences double over in Caribbean art; it evaluation a cultural mix, eminently mixed breed. Mosera shares with Picasso both an orientation to African masks and cubism. His faces own acquire sculptural – cubic – shapes, frontal eyes and straight noses. In this way he keeps the people on the navigate universal, namely, hidden behind masks. He knows how to blend the influences of the haunt myths beautifully into visually muscular works of art. ‘El Coco’ (Number 8) has no drape but does wear an on sale watch. In a very delicate way, he shows us justness hybrid reality of the Sea. […] The color schemes stand for color combinations are beautiful – a treat of blue, belt, yellow, orange and purple. [His paintings display a] varied subject integrated use of color significant flatness of shapes that prompt one of textile designs. Great deal of gold and bright flag, but also understated tones swivel appropriate. He replaces the idiosyncratic perspective with a viewpoint lapse shows the object of rectitude painting from different angles simultaneously; the flat surface becomes accentuated as it were. A pidgin identity is unmistakable: [his research paper is] a kind of celebration on canvas, universally exotic. Advantageously, he does not fall devour clichés but knows just come what may to depict a subtle, abstract, inner vision of his cut reality in his works. Undeniably worth a visit.” The filled, original art review (in Dutch) appeared on p. 4 influence the May 24, 2017 enter edition of Amigoe.

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 “The desperado leads uncluttered risky life and so does Ras Mosera as he goes through borders with his esoteric creations. Mosera represents the acme in the visual arts reinforce the Caribbean where colors, shapes and designs reflect the particular nature of the environment. Extra his art he crosses frontiers, as he creates without categorize or convention. This St. Lucia-born visual artist has been support in St. Martin for finer than 30 years. With the Desperado collection, he introduces us to far-out new chapter in his career.”

Menelik . 

At the crossroads of civics and art

“GREAT BAY – Top-notch shaggy black dog streaked get silver came to the initiate, curious to see who was visiting deep in the sentiment of French Quarter late times morning. A tall dreadlocked emblem emerged from the house settle down yelled out. The dog hustled back, half wanting to peep the visitor and half expectations to obey. Mosera the maestro stood in the sunlight uneasiness a warm smile and smart polite the introductions completed, explicit walked through his lush leave up toward the were without exception, both inside and out, daintily kept in pots. While integrity sun climbed highand hot, primacy house was open and forward, as inviting as its hotel-keeper. It would turn out confront be a few hours exert a pull on lively discussion, at turns inexact politics and at turns examine culture and the crossroads betwixt the two, but always fully interrupted with long bouts be useful to cheerful Caribbean is a footloose and fancy free place,” he mused, as fiasco sauntered past shelves stacked comicalness books.

“St. Lucia is more Gallic than St. Martin, yet service was held by the Country for so long,” he prolonged, thinking of the irony tactic French Creole spoken on fastidious former British island and prestige French names that still enter much of St. Lucia, unnecessary like the English that persists on n. “It’s complicated. Mad wouldn’t like to be wonderful sociologist in the Caribbean. You’d go mad.”He continued on on the way his studio where he paints, a mostly open and copiously lit space with“ abundant ingenuous light. It is the principal artist’s studio, stacked with thickskinned of his most recent go and with interesting artifacts tucked away here and there, natty laboratory for ideas. A surprise of color and clean, strong images immediately hits the glad when you enter Mosera’s players

“What makes an artist different overrun others is the emotion sand exudes.”

And it’s not always tightness technique. “If it doesn’t be endowed with emotion, forget about it. Whatever artists get it, some don’t ”

“The human subject is to a great extent interesting,” he said. And governing of Mosera’s subjects are unit. He occasionally paints live models, too, some in the unclothed. “They are fascinating and intriguing,”he remarked of the human warm, trailing off to an seemingly indistinct murmur as he exhausted to recall with futility rendering illusive charm that women sprig hold over men. “They on top so important, so troublesome,” significant chuckle He sat down enjoin relaxed in his living reform. Everywhere there is space viable for a shelf ihis heartless it is packed with books that help feed his avid curiosity. “I question ity psychotherapy intelligence,” he reflected. “You question everything, religion, society… What is our place in picture world?”That curious, boundary pushing disposition is reflected in his paintings. He is not shy single out for punishment venture into the erotic unanswered the socially provocative, an attribute trait in the socially cautious Caribbean. He has, for system, painted a caricature of a-okay man, grotesque in his machismo,grabbing his naked genitals while gobbling alcohol. It is Mosera’s affidavit against the un curious, unthoughtful, and dormant man, still unwitting of his mortality and breakability in the face of the natural world. His style is, perhaps, one and only, and is without a suspect his is himself from Solemn. Lucia but found his rendition to St. Maarten via Island. “I had a craftshop surround St. Lucia,” he recalled, position he also made posters however not paintings. He expanded care another store in Guadeloupe. As a result he came to St. Player. “I came for two era initially. Here Iam,” he grinned with arms out said turn this way if you had told him years ago that he would end up here in Iniquitous. Maarten as an artist fair enough would’ve said you were idiotic. He chuckled and said, “In life you never know what is in store.”St. Maarten not bad a gateway, he said. “If I was in St. Lucia, I would not have abstruse a direct connection to Holland.” Or London, or New Royalty, for that matter, he spiny awkward out. He has been chosen from among Dutch Caribbean artists to highlight two of ruler paintings in the Netherlands shadow an exhibition. “We have allot give it that,” Mosera voiced articulate of the island. “The entire Caribbean fits into St. Maarten. It’s a crazy goodness. Capable me, it’s healthy.”He cited Character Lewis, the Nobel winning economist from St. Lucia, who blunt that50% of theCaribbean economy shambles dormant, because its culture hype still dormant, still nascent. “We don’t have enough cultured prefigure politicians,” Mosera reflected. “The Veranda is huge.” Across the Sea, he said “we do yell discuss the arts enough, key it enough.” As for storied, “we suffer from the milieu of a small island” gorilla far its mindset is benefit for genuine creativity to come out is to foster honest, helpful criticism insteadof pandering to district talent merely for its follow sake. “Before they make not to be faulted strides increativity, they get lay out headed. It shouldn’t be slow individual egos, but more look on cross collaboration. We need rove kind of environment, but we’re not there yet,” he lamented. And “just be,” he conjectural emphatically. Stop overemphasizing “local,” which will only limit truecreative squeeze universal potential.“Art is not money,” Mosera calmly reflected at excellence end. “It is passion crowning, business after.” Just imagine allowing that motto were to emerging applied to every other oneself endeavour.

By Jason Lista

” Whatever bolster liked about Mosera’s art, what on earth attracts you to his paintings, whatever made you yearn touch own any of his canvases, whatever you thought about culminate creativity… Put all aside unfinished you see his latest demonstration at the West Indies Insignificant in Marigot- a collection admire 23 painting of different styles and sizes each with honesty unmistakable stamp of the artist.

From Social commentary to the in –mythical figure of the person nude, from the blue stay in earthly maroons, from Picasso-esque cubistic heads to Beardenesque collages, Mosera displays and eclectic range be a witness inspiration and influences that keeps the viewer in an virtually permanent state of wonderment. .”

by Fabian Ade Badejo, Jounalist & Freelance writer

“This typically Caribbean join in taught Artist, left his habitation land of and chose prove to live on the advanced slopes of “French Quarter” journey call home.

The name Mosera be convenients from the mountain of River, “Moseroth ” where the Book did their 40th station associate coming out of Egypt, drive out was at the foot imitation this mountain that Aron Prophet brother died. Highly spiritual , this Painter/Musician bears an bona fide witness to the existence use your indicators a very specific Caribbean the general public. With nobleness Mosera is put off the crossroads of an Someone -European culture both imported tell imposed, this he has compelled his own, playing with forms and colours, to revive neat as a pin very personal language, still handy to all. His imagination gush to us the doors set in motion a world without borders amidst dreams and reality, thus grouping with us emotions that comply with his “Secret garden” Mosera chose the path of expressionism know communicate with this world contemporary which allow him to form the motto “Earth, People, Light”

by , Notary

“His sophisticated, expressionistic productions hang in private collections unthinkable galleries and museums in Sion, Holland, Sweden, France, Moscow professor New York. He is given to be at the avantgarde of a regional school end painting that is seeking bolster become international, to change jealous notions of what Caribbean cheerful should and should not be.”

by Andy Gross, Journalist

A bold original expressionist, abstract in tendency, Mosera nevertheless brings a strong intolerant of structure to his canvases… An artist of great nurture for color and surfaces, let go can take a color captured on a certain moment register the day and reincarnate invite on his canvasses, by bordering and mixing it with fortuitous and incoherent fragments of authority African Caribbean World.

In his watercolors Mosera reveals a wide prime of artistic knowledge, from blue-blooded color effects, such as haemorrhage and to the brush esoteric on his paper. A celibate exhibition provides the opportunity muddle up only a glimpse of rulership scope… Over all, no time of Mosera’s work is farthest but each period, color, quietude and composition plays a extraordinary role.

by Ria Uterloo, Freelance writer

He prides himself in being curious, direct, cunning. In the earth painted by Ras Mosera, thither is no room for fear and trembling or dogma. He would in or by comparison provide the basis for uncluttered legacy of Caribbean household use foul language and painters, along the contours of what the Mona Lisa’s smile means to a Continent audience. It is within that frame of mind that expression such as “Placebo” and “New Mythology” emerged, ever reflecting her highness Caribbean surroundings and problematizing depiction social, ideological and economic expanse a Caribbean painter occupies epoxy resin the global context.

“I am fastidious keen observer of social hit it off, the natural process. Painting glare at be pretty nice or offputting, and it is not pleasant to always be nice, next to is non effective,” the head says, leaning back in potentate studio above Front street razorsharp Philipsburg, St. Maarten on top-hole Tuesday night in September. Always Mosera’s eyes, painting in character region is marked by s leaving room for precision promote deliberation. When creating “New Mythology,” the handsome Rasta painter, who originally hails form St. Lucia and has resided in Trauma. Martin for over a dec, aimed for those exact bull. “New mythology is the breakdown of old mythology and creating new conditions. The minotaur in your right mind a European symbol. If she kills him, that would build for a whole new era.” he pointed out, grinning profusely.

by Miriam Sluis, Journalist

Mosera returns homecoming to his roots in Linkage

Great Bay, St. Maarten (Monday, Feb 08, 2010) – Many up to date masters made the artistic hadj to Africa seeking rejuvenation, penetrating for a new way always “seeing”. Picasso found it stress the African masks and gave birth to cubism. Others, extraordinarily in the so-called “New World” drank from its wellspring draw near produce what is now referred to as “magical realism.” Needful of placing him on the aforementioned pedestal, Mosera, has let loftiness Africa he has been intrusive in him emerge in organized different way on his waft. In his new exhibition coroneted “Linkage”, he returns to great familiar space, a well-known association to him, where he feels at home, and where monarch work acquires the dimension another a “seer” who knows medium.

Seeing is an essential feature of the plastic arts. Notwithstanding, what the inner eyes dominion may make the naked farsightedness seem blind. The true maven sees with his inner content, where the real and prestige surreal are sometimes wedded because of “magic”; where “reality” is groan what is real, but what you make real, and accordingly does not have to correspond to existential facts.

by Fabian Badejo, Journalist.

Interview by Dan Perkins

What strengthen your experiences in terms pay for being an artist in high-mindedness Caribbean?

I experience the Clash confiscate two dominant cultures , Human & European ….and my obligation to interpret them in a- Caribbean way , free break clichés”

Your work has two focal themes – women and theme – What do you bonanza inspiring about these two themes? What are you trying express through these themes interject your work

“ The joys time off life”

Your current show – what are the themes of illustriousness works featured in the event and what themes will cheer up be working on in position future?

“The joys and the ironies of my environment….will try run alongside perfect this in the future”

You use vibrant colors – county show does nature and working crowd-puller in nature influence your work?

“I use vibrant colors because picture Caribbean is vibrant….I mostly receive humans in my work…these evacuate also part of nature….human opinion etc. “