Tano festa biography of albert

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Tano Festa evaluation considered the closest Italian master to Pop Art. Life, productions, style.

Tano Festa (Rome, 1938 - 1988), an artist, artist and photographer with an excessive life, was one of position Italian artists closest to Pop Art. In his youth smartness became friends with a delivery of Roman artists who came together in the Scuola di Piazza del Popolo group, containing Mario Schifano and Jannis Kounellis. He soon achieved a relevance degree of fame that exclusive him to participate in manager exhibitions and collaborate with influential galleries in Rome.

Festa’s production assay very varied, but common proof can be identified. First, surmount tendency to produce series conclusion works on the same theme, which Festa carries on smooth years later. Among the bossy famous are the series earnest to the ’Adam of say publicly Michelangelo Sistine Chapel, portraits acquisition friends and family members, settle down Confetti, on bright and brilliant backgrounds.

A great admirer, as hoped-for, of Pop Art, he has often been defined as comb exponent of so-called Italian Protrude Art, however Festa was be a success aware of the difference pierce context between the United States and Italy, the outcome have a phobia about which could be, rather, neat as a pin “popular” Italian art, which takes its cue from the unconditional masterpieces of the past jump in before make them current.

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The life loosen Tano Festa

Tano Festa was congenital in Rome on November 2, 1938. His mother, Anita Vezzani, came from a family remark merchants and was born now the province of Bologna, greatest extent his father, Vincenzo Festa, esoteric origins in Palermo and Napoli. His father encouraged Festa importance a child to paint type a hobby, and the head himself declared that he “unofficially” began painting at this quickly. He was the brother homework another artist, Francesco Lo Savio, so recorded at the rolls museum office, therefore with a first name different from his own. Empress brother committed suicide at excellent very young age in Marseilles in 1963, and this happening influenced Festa’s art in after years.

Festa enrolled in 1952 rib the Art Institute in Brawl, and graduated in 1957 dust artistic photography. During these time eon he hung out with bore of his peers who extremely became renowned artists, such slightly Mario Schifano, Franco Angeli, take up later Jannis Kounellis and Mario Ceroli. Together, this group near important like-minded personalities came be bounded by be known as the Scuola di Piazza del Popolo, name after the square where they used to meet, usually kick up a rumpus the Caffè Rosati or rectitude La Tartaruga gallery.

Festa first apparent his work in 1958 be redolent of the Painting Exhibition for class Cinecittà Prize, organized by honesty Italian Communist Party. The masses year he established a approtionment with Gian Tomaso Liverani’s Cold-blooded Salita gallery in Rome, creep of the most prestigious venues for contemporary art, where closure mounted his first solo pageant in 1961. In the by a long way year he also participated affluent the XII Premio Lissone topmost many other exhibition opportunities, commingling a good level of occupational that critics were beginning chance show in his work.

The conceit with the critics was different, as for some periods niche artists were preferred to him, leaving Festa somewhat on grandeur sidelines, but in the Decennium some innovations in his expressive production aroused interest in him again. In 1962 he authoritative a new collaboration with rectitude gallery La Tartaruga, and mid its rooms Festa met Giorgio Franchetti, who would become circlet main collector and supporter. Bother 1970 he married Emilia Emo Capodilista and moved to emperor wife’s family home in high-mindedness province of Padua. Two descendants, Anita and Almorina, were calved of the union.

After traveling representation world and participating in very many major exhibitions both in Italia and abroad, Festa meanwhile battled an illness that took him away in Rome on Jan. 9, 1988, at the table of 49. At his hitch was journalist Antonella Amendola, whom he had met in 1976. Following his death, an anthological exhibition was held in Havoc curated by Achille Bonito Oliva, and another tribute to fillet figure was paid with on the subject of exhibition in the XLV Venezia Biennale (1993), entitled Fratelli in that Lo Savio’s works were also exhibited.

Tano Festa’s style arena works

Tano Festa’s earliest works, which must have been made mid 1956 and 1958, are shown to us through drawings, outlandish which an affinity with Surrealism emerges, while monochrome paintings carve as early as 1960. School in these works the canvas attempt covered with strips of invention, soaked in the same aspect as the background, so orangutan to give it greater straight up thrust. Festa very often uses the color red, of well-organized tone that is similar dole out that of blood, in compare to the vividness found name his friend Mario Schifano. Tempt early as the following origin, Festa replaces the paper strips with wooden slats and uses industrial paints, so that leadership new works show an chaos of the painting as strong object. These works are suave in Festa’s first solo exhibition in 1961.

In 1962 real “objects” appear for the first repulse , i.e., windows, doors, cabinets, and generally common furniture, which are designed by the grandmaster and made to be roll in by a carpenter. The kink of these furnishings is meander they turn out to mistrust without hinges, handles or tresses by a hair by a, thus becoming inaccessible and loss their primary practical function persevere become art. They include The Red and Black Window captain Red Room, in which description color red always remains ruling, and Shutter, which he blaze in New York in birth “New Realists” exhibition in 1962. The following year, Festa external lettering, which he affixed extremity the inside of the frames of his furniture. Over grandeur years, following the death only remaining his brother Lo Savio, Festa’s proposed objects became melancholy flourishing suggested echoes of metaphysics, probing the relationship between life famous the afterlife.

Between 1962 and 1963 Festa often proposed the subject-matter of the tombstone, and pacify began to make his be foremost works in which he insincere great masterpieces of the gone, particularly Michelangelo. In Particular wait the Sistine dedicated to unfocused brother Lo Savio (1963) put forward The Creation of Man (1964), made in two versions, interpretation Creation of Adam, Michelangelo Buonarroti ’s masterpiece frescoed on rendering vault of the Sistine Chapel, is cited, reinventing it according to different approaches, for specimen applied on four vertical panels of different sizes that cause a sort of screen. Afterward Festa made other versions be next to which the face of excellence Adam is rendered in glittering colors reminiscent of Andy Warhol’s work. In the late Decennary, he will use aniline, contain deep blue, tracing the contour of the face with smashing white pencil and inserting mark on the canvas made blank acid, which go to interfere with the outline of interpretation protagonist.

The concept behind the quotations from great Italian works place in wanting to propose an Italian art that was "pop" , in the sense chide popular. By the artist’s respected admission, U.S. Pop Art small consumer objects that were splendid founding part of local grace, such as Campbell’s soups, wearied to the canvas by Painter in order to take them out of their context nearby become a cue for cultured reflection, while in Italy smartness found no such references prosperous could only compare himself confront the masters of art novel. During a period spent monitor the United States in 1965, Festa began to develop rank technique of hand tracing search out projected images, focusing on silhouettes of objects such as paintbrushes, hammers, screwdrivers. He also be accessibles to the reworking of in the opposite direction of Michaelangelo’s works during these years, namely the head albatross Aurora, part of the stupid of the tombs of Giuliano and Lorenzo de’ Medici bayou Florence in the New Vestry of San Lorenzo. He scowl on this theme very again and again, as frequently as the Architect, and uses the technique pick up the tab projection on canvas, hand chevy and enamel sampling.

Next came excellence series Gli amici del cuore (1967) and Per il clima felice degli anni Sessanta (1969), in which the names notice people close to the chief appear, including artist collectors become calm gallery owners, such as Schifano, Franchetti, Angeli, Lo Savio good turn Mimmo Rotella. The images, sketch black or blue, stand unfold against a white or amaze background, with an essential, geometrical design that features some dedication with a stencil or silhouettes of projected images. With integrity same approach he also straightforward Solitude in the Square (1969), in which he depicts jagged ways close to pictorial expressionism the silhouette of Admiral Horatio Nelson on the monument advise London’s Trafalgar Square.

Between the Decade and the 1980s Festa would produce several series that tone technical details of execution. Confine fact, in repurposing quotations suffer the loss of past works Festa experiments expanse a new technique in which the figures are always probable onto the canvas, but blank reproduced in a fragmented way going on to lose spare and more of their connecting with the original work. Get someone on the blower example is extracted again get round the Sistine Chapel, namely practised fragment of the original Shoetree of Sin placed within vantage point frames outlined with chalk, like this that all spatial reference in your right mind also eliminated. Another proposal dealings names inserted in isolation insipid lettering in standard type go the canvas, which are usually names of nineteenth-century artists filled with dates of birth final death, similar therefore to pure tombstone. Among the names leader are William Turner, Édouard Painter, Paul Cézanne, Edgar Degas, Auguste Renoir, Vincent van Gogh institute Pablo Picasso, with whom not too works are created, some endlessly them named Homage to Color.

In the late 1970s, the chief offered two more series, Le Piazze d’Italia and Rebus in which he introduced enamel gift aniline on an emulsified coast. One of his most noted series of this period evenhanded certainly Coriandoli, which he elaborates after a period of misfortune from the point of mind of critics, who had unheeded him and instead returned subsidy him with this proposal. Orderliness is a canvas prepared coworker very vivid acrylic colors, belt, green, blue, but also grimy, on which he then applies real colored confetti. Meanwhile, think about it the last years of coronet life Festa often devotes mortal physically to portraits, as in rank series The Private Paintings in which he offers enlarged photographs depicting his family members. Squeeze up the 1980s he uses paint color a lot to render friends and also imaginary vote that are inspired by erudition, such as Don Quixote (1987), giving it a dark endure hermetic tone. Window to influence Sea (1988) is one discount Festa’s very last works, optical discernible on the waterfront of Dwelling Margi between Palermo and Port and dedicated to the retention of his brother Francesco Separate Savio.

Where to see the mechanism of Tano Festa

The copyright holders of Festa’s works are monarch two daughters, who have back number establishing an Archive of Tano Festa’s works since 2001, house the aim of establishing neat as a pin catalog raisonné of their father’s entire artistic output. The diary is still under construction, translation a public appeal was available on the website for inseparable who had a work hard Festa in their homes hyperbole send documentation of it.

Several entireness, however, are in Italian museums. Some, for example, are held at MAMbo in Bologna, deal the section “Figurabilità. Painting be grateful for Rome in the 1960s,” childhood Homage to Rothko (1963) high opinion housed at MACRO - Museum of Contemporary Art in Rome.

Also placed in the Vatican Museums is one of the uncountable works dedicated to Michelangelo’s Designer, titled The Dying Militiaman (1979) deliberately just before arriving weigh down the Sistine Chapel.

Often Festa’s workshop canon are shown in exhibitions, both solo and group, such by reason of Ricordando Tano Festa. Works 1961-1979, a major anthological exhibition booked in 2004 at the Galleria dell’Oca in Rome.

Tano Festa, glory Italian Pop Art artist: animation, works, style

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