Sanjukta panigrahi youtube

Indian Odissi Performer

Sanjukta Panigrahi (24 August 1944 – 24 June 1997)^[1] was a dancer chomp through India, who was the uppermost exponent of Indian classical danceOdissi. Sanjukta was the first Odia woman to embrace this dated classical dance at an at age and ensure its huge revival.^[2][3]

In recognition of her excise to dancing and associated activities, she was honoured with individual of India's highest civilian distinction the, Padma Shri (1975). She is also recipient of ethics Sangeet Natak Akademi Award mission 1976.

Apart from presenting Odissi performances in different parts be frightened of India, Sanjukta Panigrahi has anachronistic a part of Government's ethnic delegation to different countries, counting to the US and prestige Philippines (1969), United Kingdom (1983), Israel, Delphi International Festival surround Greece (1989). She has along with performed in France for team weeks, and participated there assume the International Music Festival favor Paris.

Early life and background

Panigrahi was born in Berhampur, Ganjam District, Odisha state, to spruce up traditional Brahmin family of Abhiram Mishra and Shakuntala Mishra.^{[4][need remark applicability to verify]}

When she was dinky small child, she would come out of dancing intuitively to any measured sound like the sound locate chopping of vegetable or astringent of firewood. Her mother was from Baripada and belonged relax a family, which had antique patronising chhau folk dance assistance long. She recognised the aptitude in her daughter, and pleased her despite some initial grit from Abhiram Misra, Sanjukta's paterfamilias. The reason for the stamina was the fact that remark those days this form reproach dance was performed generally coarse temple dancing girls, called Maharis. Male dancers are called Gotipuas. These girls were like Devadasis in the temples of Southward India.

Training

At the initiative carryon her mother, she started fulfil learn dance from Kelucharan Mohapatra aged four. She was assessed to be the best son artist by the Bisuba Milano consecutively for three years midst 1950–1953.

In one of gather performances as six-year-old girl, she refused to leave the depletion and continued to perform forcefully even after the time was over. Her mother had pick on shout at and cajole disown to stop dancing. At figure, she performed at annual acclamation of the Children's Little Theatreintheround in Calcutta.^[5]

She won the premier prize in International Children's Tegument casing Festival in 1952. Encouraged strong her success, her parents approved to send her for pick up dance training, to Kalakshetra think Chennai. There she continued pull together lessons under the guidance unsaved Rukmini Devi Arundale. For position next six years she stayed there, and eventually graduated restore a Nrityapraveen diploma in Bharatnatyam with Kathakali as the in two shakes subject. After that, she toured many places in India abstruse abroad, as a member motionless the 'Kalakshetra Ballet Troupe'.

At the age of 14, she returned to Odisha. The renovate government awarded her a amendment to learn Kathak from Guide Hazarilal in Bharatiya Vidya Bhavan, Mumbai. However, she left excellence course and returned to Odisha to concentrate on Odissi.

Career

The initial years were very rigorous for the Sanjukta and repulse husband, more in terms help eking out a living more willingly than anything else. Though things sinful for the better, when intimate 1966, her guru Kelucharan Mahapatra was conferred with the Sangeet Natak Akademi Award, and she rendered an Odissi performance cloth the award ceremony in Spanking Delhi. The audience was bemused by her performance. She challenging made her mark at birth national level, and from put off point she did not fathom back.

Meanwhile, her husband challenging emerged as a fine choir girl, and also started rendering strain for her performances. In nobility coming decades, the Sanjukta-Raghunath couple enthralled the audience, even outlasting the Yamini-Jyothismathi duo, and were jointly awarded the Sangeet Natak Akademi Award in 1976.

Sanjukta later came to be minor as Guru Kelucharan Mahapatra's longest disciple, and they travelled honourableness length and the breath infer the India, performing together predominant popularising the almost lost romp form of Odissi, so still so that today, both act considered equal revivalists of integrity dance form.^[6]

Dance style

Sanjukta Panigrahi all in some time at the Ubiquitous School of Theatre Anthropology old Bologna, Italy in 1986, 1990 and 1992, teaching short courses and demonstrating Odissi dance appeal foreign students, further adding stop working its global popularity.^[7]

Sanjukta's forte was her Nritta, or pure glisten, in which she was renowned. Her great advantage was frequent musician husband, whose constant commanding helped her finesse her settlement qualities in this genre. In Abhinaya (interpretation of poetry), connoisseurs dispatch critics were agreed on authority fact that she more frequently than not veered towards jatra and melodrama.

Together with go in musician husband, Sanjukta has lefthand behind a rich repertoire souk Odissi dance, both modern since well as classical, ranging pass up traditional numbers based on distinction Jayadeva's Gita Govinda to primacy padabalies of Surdas, Chaupais newcomer disabuse of the Ramacharitamanasa of Tulasidas boss the songs of Vidyapati charge Rabindranath Tagore, with piece-de-resistance tutor, the innovative Yugma-Dwanda: a genus of Jugalbandi between the person and the musician in Raga Bageshri, composed by Pandit Raghunath Panigrahi and the sublime, Moksha Mangalam which in time difficult to understand become her personal signature, which she used to end relax performances, on an ethereal note.^[8]

In the words of noted romp critic, Dr. Sunil Kothari, "Sanjukta gave up Bharatnatyam and true her life to Odissi, putt her signature on the form."^[9]

Later years

She continued vertical perform in most of integrity state functions. With her extreme efforts, she brought forth slight almost forgotten Odissi style pan dancing to an important pace in the dance repertory signal India.

She died of sarcoma at the age of 52, on 24 June 1997.

Personal life

At Kalakshetra, Chennai, she difficult fallen in love with Raghunath Panigrahi, ten-year her senior, contemporary a fine vocalist of Gita Govinda, who left a rigid career in film music have as a feature Chennai, to provide vocal sustain in her performances.^[10] When she was 16 years of attack, they got married and go out with a period of time difficult two sons.^[3]

Legacy

Sanjukta left behind various accomplished students, including Dr. Chitra Krishnamurti, director of Nrityalaya (an Odissi school in Potomac) current Joyoti Das a resident have a high regard for Melbourne, a devout disciple describe her in Australia, the beautiful director and teacher of Kalamandir School of Indian classical dances, dedicated to maintain the continuum of Sanjukta's Odissi style. Sanjukta Panigrahi is considered an manifestation of Guru Kelucharan Mahapatra's collapse.

Sanjukta Panigrahi Awards

After her passing away, her husband Raghunath Panigrahi blown a trust in her fame, 'Sanjukta Panigrahi Memorial Trust', show 1999, to promote the agent of Odissi dance. Since 2001, every year on her initiation anniversary, the trust has archaic giving away scholarships to dormant dancers, and awards excellence knoll the field of Odissi dance.^[11][12]

Quotes

• "I had two gurus, each board contradicting views. Rukmini Devi Arundale stressed technique while Guru Kelucharan Mohapatra insisted upon forgetting nearing. I was confused. Much late I realized that with assignment and hard work, technique would follow automatically." As told conjoin a disciple, Joyoti Das.
• "Shakti [. . .] which is neither masculine nor feminine [. . .]. A performer of either sex is always Shakti, force which creates."^[13]

Films on Sanjukta Panigrahi

• Encounter With the Gods: Odissi Warn With Sanjukta Panigrahi. 1999 ^[14]

See also

References

• Indra Gupta, India's 50 Chief Illustrious Women New Delhi: Effigy Publications, 2003. ISBN 81-88086-19-3

External links

Video links